Book: |
London Magazine |
Title of Article/Essay: |
Indian Scenes and Concerns – New Figurative Painting in India |
Author: |
Timothy Hyman |
Date, Year: |
Jun 1982 |
Reference Type: |
Periodical Article
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Language: |
English
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Pages: |
5-25
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Publisher: |
[Source Unknown]
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Place Published: |
London
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Country Published: |
U.K.
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Descriptive Tags: |
Two Perspectives, Lalit Kala Akademi, Arts Council, Three Generations, Oriental Mode, European Art, Bombay Progressives, Vrischik, Santiniketan, Kala Bhavana
|
Artist/s Mentioned: |
K.G. Subramanyan, Paritosh Sen, Bhupen Khakhar, Jogen Chowdhury, Sudhir Patwardhan, Paul Klee, Emil Nolde, Ramkinkar Baij, Rabindranath Tagore, Krishen Khanna, J. Swaminathan, Amrita Sher-Gil, George Grosz, Franics Bacon, David Hockney, Khalid Iqbal, Jahangir Sabavala, Meera Devidayal, Nalini Malani, Vivan Sundaram, Mrinalini Mukherjee, Benode Behari Mukherjee
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Remarks: |
Timothy Hyman looks at the Indian art scenario of the early 1980s to come up with a critical overview. He has selected five artists: K.G. Subramanyan, Paritosh Sen, Bhupen Khakhar, Jogen Chowdhury, and Sudhir Patwardhan – who were not invited to show their works in the Triennale, organized by the Lalit Kala Akademi, New Delhi, but through whose works he has attempted to come up with an understanding of modern Indian art of the 80s that he felt have evolved as a result of synthesis of indigenous western visual cultures. He also discusses the problems of such synthesis.
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Where we found it: |
Personal Archive: Jogen Chowdhury, Kolkata
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